Currently seeking filmmakers in Africa!
The Global Lives Project is currently seeking filmmakers in Africa to complete its curated series of ten 24-hour films — Lives in Transit.
Lives in Transit has already documented 24 continuous hours in the lives of nine transportation workers around the world. These include a delivery man in Korea, caterpillar fungus collector in Nepal, cook on a sand barge on Vietnam’s Mekong Delta and a worker on a long distance train in China.
We now have one remaining: Africa!
We welcome inquiries from filmmakers in Africa who want to work with a dynamic collective of global artists to complete this series, and to continue building on our open source video library of human life experience. Since our last shoot on the African continent took place in Malawi, we are particularly interested in shoots from other regions of Africa, specifically Western, Central, Southern, and Northern Africa.
The Global Lives Project is produced by a worldwide collective of filmmakers, producers, translators, and media artists. The participants featured in our video library roughly represent current global demographics. This curated series will document the lives of transportation workers, including:
- six individuals in Asia, and one in Africa, North America, South America, and Europe
- five urban and five rural workers;
- five men and five women;
- workers who represent the real income distribution of the world,
- the real age distribution of the world,
- the real religious distribution of the world.
- Filmmakers should produce a shoot that works with our unique filmmaking methodology — 24 continuous, unedited hours of an average day in the life. To familiarize yourself, please read our Production Overview, also under “Resources”.
- Global Lives Project is a volunteer-driven initiative, as such the financial support for each shoot is limited.
- Global Lives shoots are expected to receive financial and in-kind support from multiple sources. Global Lives will allocate up to $1,500 for this shoot in Africa.
- All producers and crew members volunteer their time for production and post-production. Producers generally use their own or borrowed equipment.
- The approved amount will be disbursed in two payments, 50% after the contract is signed and 50% upon completion of all post-production requirements.
- Global Lives can facilitate, but not be responsible for, any additional fundraising. For more information, see page three of “Pre-Production Guide.”
- Contact us for a sample budget.
- Preference will be given to a male on-screen participant in a rural area.
- Filmmakers should have a clear plan for transcription and translation into English.
- We are also interested in having the class and socioeconomic status of our on-screen participants defy traditional stereotypes, i.e., we welcome proposals for higher-income individuals in lower-income countries and vice-versa.
- What is a “life in transit”? Contact us to see if your idea might fit. It’s ok to list multiple options in your inquiry form. Here are our top priorities at this stage in the series:
- workers in the airline industry such as a pilot or flight attendant (of particular interest)
- taxi driver
- autorickshaw driver
- pedi-rickshaw driver
Global Lives Collective and staff members are excited to communicate with interested filmmakers about their ideas over email or skype. Please contact us with any questions at simone [at] globallives [dot] org. Also, see our recent blog post about producing one of the first ten GLP shoots.
Lives in Transit is a project of the Global Lives Project, a 501(c)3 nonprofit organization based in San Francisco. Lives in Transit is supported by the National Endowment for the Arts and hundreds of individual donors like you.
*Due to US law, we will lamentably not be able to send financial support to crews working in North Korea, though we still encourage submissions and can advise producers on how to execute shoots at minimal cost.